Free Essays on Ralphie Pillar

The Apollo Program Essay Research Paper The free essay sample

The Apollo Program Essay, Research Paper The Apollo Program ( 1963 # 8211 ; 1972 ) # 8220 ; That # 8217 ; s one little measure for a grown-up male, one mammoth spring for a humankind. # 8221 ; The national endeavor that empowered Astronaut Neil Armstrong to talk those words as he ventured onto the lunar surface, and satisfied a fantasy each piece old as humankind. Be that as it may, Project Apollo # 8217 ; s closes went past landing Americans on the Moon and returning them securely to Earth. A portion of the main parts of the bargains were: to set up the building to run into other national inclusions in boundless ; to achieve differentiation in limitless for the United States ; to move out an arrangement of logical ex-ploration of the Moon ; and to much more create grown-up male # 8217 ; s effectively five star ability to work in the lunar condition. Six of the missions accomplished the finish of set bringing down on the Moon, and securely coming back to Earth. Apollos 7 and 9 were Earth spinning missions to demonstrate the Command and Lunar Modules, and did non return lunar informations. We will compose a custom paper test on The Apollo Program Essay Research Paper The or then again any comparative point explicitly for you Don't WasteYour Time Recruit WRITER Just 13.90/page Apollos 8 and 10 tried arranged constituents while rotating the Moon, and returned picture taking of the lunar surface. Apollo 13 did non set down on the Moon at all because of a breakdown, however close to brought exposures back. The six missions that arrived on the Moon restored an abundance of logical advanced audiotape an and around 400 kgs of lunar examples. Trials included soil mechanics, meteoroids, seismal, heat stream, lunar extending, attractive Fieldss, and sun powered air current investigations. Apollo was a three-section ballistic case: the offer staff ( CM ) , the group # 8217 ; s quarters and flight control region ; the administration personnel ( SM ) for the drive and rocket emotionally supportive networks ( when together, the two resources are called CSM ) ; and the lunar workforce ( LM ) , to take two of the team to the lunar surface, back up them on the Moon, and return them to the CSM in lunar circle. The flight way, lunar circle rendezvous, was chosen in 1962. The supporters for the arrangement were the Saturn IB for Earth circle flights and the Saturn V for lunar flights. Between the 1940 # 8217 ; s and present twenty-four hours, approximately 30,000 advancements have been imagined, brought forth, sustained and created in some way as an immediate outcome of vast geographic endeavor. Media communications, clinical research, figuring machine building, agribusiness, climate examination expectation and tonss of different ventures have benefitted through the quickening agent of unbounded geographic undertaking. Not a cluster of individuals would recognize this, however every part of life on Earth has been drastically influenced by what we # 8217 ; ve gained from the review of endless.

The Beer Lovers Big Book List

The Beer Lovers Big Book List I love a great beer. I’m about to depart on a beer tasting tour of Belgiumâ€"known for its lambics, Flemish reds, and Trappist monasteries. So, as any good nerd would do (and I know we all are), I’m downing books on beer in preparation.   There is a serious lack of diversity in books published about beer and in the craft beer industry in general. NPR has covered the lack of people of color in brewing over the years (here and here), and a leading industry site Hop Culture has covered the issue of gender diversity. With festivals like Fresh Fest  and organizations like The Pink Boots Society fighting for industry change, I think there’s promise for the future. Here’s hoping someone like @blackbrewculture or @isbeeracarb creates a great new beer book soon! I would read it! Until then, heres my Beer Lovers Big Book List. Just Starting Out The Complete Beer Course by Josh Bernstein Josh Bernstein is one of the foremost beer experts and journalists, and this book is a crash course in tasting beer and its various styles. Its a great place to start to get more familiar with all things beer, covered in 12 digestible lessons.   Passionate About Craft Beer Brewing Revolution: Pioneering the Craft Beer Movement by Frank Appleton This is a memoir by the man known as the founder of the Canadian craft beer movement. In the 1970s, English-trained brewmaster Frank Appleton got fed up with the gigantic Canadian macrobrew companies and went off-grid to homestead and brew his own better craft beerâ€"hes awesome. This book is his history with beer over the past 50 years, and it chronicles the way his innovative and creative experimenting paved the way for craft beer to rise in Canada.   For The Beer-Loving Foodie The Brewmasters Table: Discovering the Pleasures of Real Beer with Real Food by Garret Oliver Garret Oliver is an award-winning brewer and a long-time brewmaster at the Brooklyn Brewery, but the really special thing about this beer book is how he discusses beer pairing with food. He interviewed chefs and brewmasters alike to come up with beer pairings for all kinds of different beer styles from all over the world. So if youre a foodie, or you love hosting, this is the beer book for you.   On Beer and Culture Bread, Wine, Chocolate: The Slow Loss of Foods We Love by Simran Sethi Hear me out. I know there isnt beer in the title, but there is a chapter in here about beer and beer brewing! Sethi’s book is about the cultural importance of certain foods and the emotional connections we have to the things we eat. In this exploration of food around the world, she warns that the food industry is steadily eroding and homogenizing, which poses a threat, not only to our health but to our traditions and culture.   Untapped: Exploring the Cultural Dimensions of Craft Beer edited by Nathaniel G. Chapman, J. Slade Lellock, and Cameron D. Lippard   Untapped is a collection of 12 essays on craft beer and culture. It links the rise in craft beer to changes in consumer culture, discusses how beer trends play into larger food trends, and asks important questions about gentrification, gender, class, and race that the craft beer industry should consider.   Super Fun The Comic Book Story of Beer: The World’s Favorite Beverage from 7000 BC to Today’s Craft Brewing Revolution by Jonathan Hennessey   (Author), Mike Smith   (Author), Aaron McConnell   (Author, Illustrator) This is a full color graphic novel on the history of beer that takes readers through all the key events of beer history with really cool illustration.   The Little Book of Craft Beer: A Guide to Over 100 of the World’s Finest Brews by by Melissa Cole   (Author), Stuart Hardie (Illustrator) This is a great gifting book. It covers 100 of the best beers in the world, complete with illustrations, information about the styles, and pairing information.   Goodnight Brew: A Parody for Beer People by Karla Oceanak   (Author), Allie Ogg (Illustrator) Just like it sounds, Goodnight Brew is a Goodnight Moon parody that takes place at a brewery at closing time! It’s really cute, and surprisingly informative. This would be a great gift.   For The Beer Lover Who Travels (My Favorite!) The Bucket List: Beer: 1000 Adventures • Pubs • Breweries • Festivals by Justin Kennedy   (Author) The Beer Bucket List is a huge book covering the best bars, breweries, beer festivals, pub crawls, and beer museums in the world. As a person who loves beer and travel myself, I flipped right to the sections on the Czech Republic’s pilsners and Munich’s beer gardens, and I loved the selections they chose! Will Travel for Beer: 101 Remarkable Journeys Every Beer Lover Should Experience by Stephen Beaumont This is another beer travel book laid out by location. It has recommendations on everything from Bruges to Bangkok, and even includes some really unique suggestions like an Oktoberfest in Brazil and some of new craft breweries popping up in China. If you just cant get enough of the combination of beer and books, check out these Book Riot posts on beer history  and beer pairings for the cold weather season!

Aristotle and the Tragic Hero - 1067 Words

Aristotle and the Tragic Hero The traditional hero stresses courage and nobility as essential traits of heroism. He lived by a code of honor and valued certain things as more important than others, so that he is willing to take risks and endure hardships for their sake. He is often a leader and protector of a community. The fact that the hero not only performs great deeds but performs them out of worthy principles renders his deed even more admirable. On the other hand, the Greek tragic hero is best defined by Aristotle with his theory of tragedy in Poetics. He claims, â€Å"Tragedy, then, is an imitation of an action that is serious, complete, and of a certain magnitude; in language embellished with each kind of artistic ornament, the†¦show more content†¦He truly possessed the unquenchable thirst for glory. Achilles was provoked to achieve prominence so his name would be remembered. His rage, which many consider to be his tragic flaw, greatly influenced his actions. After receiving word of Patroclus’ death, Achilles immediately seeks revenge. Also, Achilles desecrated the body of King Prium’s son. Hector’s warrior status should have meant proper burial rites but Achilles completely ignored this tradition. The fact that Achilles ignored this common practice tarnished his reputation. Due to his excessive pride and ego he acted not accordingly to your traditional hero. Achilles rage and quest for glory flooded his ability to think rationally. This is an anti-hero like quality and his pursuit of merit got him closer to his final destiny, which he knew he could never escape. He thrived off the sense of adventure and accepted the outcome which he later faced. Greek society considered many works to be tragic in the sense that they instilled mixed emotions. The audience may have felt depressed or they might have felt uplifted or enlightened with tragic pleasure. Based on their emotion, one could conclude whether or not they saw justification in the heroes’ actions or whether they viewed the work as a criticism. In Poetics, these emotions are communicated through the aspects of tragedy which include: the crisis, the catharthis, and the reversal (anagnorisis). For example inShow MoreRelatedAristotle s The Tragic Hero1561 Words   |  7 PagesPoetics, Aristotle claims four requirements for the tragic hero. The hero must be good. The hero must have appropriate quality of his or her gender and class. The hero must be true to life. Lastly, the hero must be consistent. These four characteristics are present in many tragic heroes. However, there are so many different authors with different interpretations of the tragic hero, that to define the tragic hero with merely four traits is not plausible. Aristotle defines the tragic hero in a wayRead MoreAristotle And Homers Tragic Hero1878 Words   |  8 Pagesparts of the tragic anthology, Iliad, the author Homer allows the reader to distinguish the various types of heroes presented and the characters that each one of them shares. He succeeds in implementing stages of Aristotle’s poetic definitions of tragedy while shifting his characters to his own Epic Tragedy. The author also prepares the reader in comprehending the differences between his and Aristotle’s definition of the Tragic Hero. In this paper, principles in Aristotle and Homer’s Tragic Heroes willRead MoreAristotle s theory of the Tragic Hero1888 Words   |  8 Pagesï » ¿Aristotle’s theory of the Tragic Hero: â€Å"A man doesn’t become a hero until he can see the root of his own downfall† Tragic hero’s who fit under Aristotle’s depiction are known as ‘Aristotelian Tragic Hero’s’ and possess five specific characteristics; 1) A flaw or error of judgment (also known as ‘hamartia’ which is a fatal flaw leading to the downfall of a tragic hero or heroine) 2) A reversal of fortune due to the error of judgment (also known as ‘peripeteia’, which is a sudden reversal of fortuneRead MoreOedipus And Aristotle s Definition Of A Tragic Hero1466 Words   |  6 Pagesrefutes Aristotle’s definition of a tragic hero. Thesis Statement: Oedipus is the personification of Aristotle’s characterization of a tragic hero through his ability to maintain and keep his virtue and wisdom, despite his shortcomings and situation in life. Introduction I. Tragic Hero A. Definition of a tragic hero B. Oedipus’ Character II. Tragedy A. Language of Tragedy B. Tragedy and its affects on audience III. Plot A. Aristotle’s idea of a tragic plot B. Meaning of plot IV. VirtueRead MoreOedipus As A Great Representation Of Aristotle s Characterization Of The Tragic Hero1703 Words   |  7 Pages Oedipus is regarded as a great representation of Aristotle’s characterization of the tragic hero. He is able to accomplish this task because of his ability to demonstrate virtue of wisdom regardless of the flaws and the challenges he endures. Introduction Aristotle demonstrated the creation of a plot in literature. The method Aristotle adopted to create a plot involved the use of tight nexus of ignorance whereby the word Harmatia was mistranslated. The technique of plot creationRead MoreOedipus As A Tragic Hero1094 Words   |  5 Pagesthe King, Oedipus struggles to accept the truth and lets his temper over power him. He can be displayed as a tragic hero. His refusal to accept the truth led to Oedipus’ down fall. A tragic hero, as defined by Aristotle, â€Å"is a literary character who makes a judgment error that inevitably leads to his/her own destruction.† Sophocles’ Oedipus exemplifies Aristotle’s definition of a tragic hero. In the play, Oedipus unknowingly has cursed the entire town of Thebes. He was cursed to kill his father andRead MoreAristotle s Aristotle On Greek Tragedy1405 Words   |  6 PagesAristotle on Greek Tragedy The drama for Aristotle was the replication of an action that is complete, severe, and of a particular magnitude. Besides, tragedy refers to the fall of noble individuals considered heroes or heroines. A tragic hero for Aristotle was a person that has some powerful wishes to attain a specific goal but encounters specific limits common to human flaws, nature, or the gods. Going through certain circumstances in life making the wrong decisions that change his life is a tragedy;Read MoreThe Tragic Hero Of Oedipus The King1156 Words   |  5 Pages The topic I chose is the tragic hero topic. There exists a number of parameters that describe a tragic hero and thus it was my desire to get to understand these parameters. It was also my desire to be in position to give the difference between normal heroes and a tragic hero and give see the main dimensions of the two figures. I preferred to work with the book by Sophocles Oedipus, the king, in order to portray the attributes of a tragic hero. The book contains adequate information concerning theRead MoreThe Tragic Hero Of Sophocles Oedipus The King1518 Words   |  7 Pagesis why they seem to enthrall their audiences so well. A tragic hero plays the most essential role in this. Tragic heroes can be defined differently for whoever is trying to force a character into the tragic hero mold. However Aristotle, the great Greek philosopher, established an outline of the requirements a tragic hero has to meet in order to be considered one. These requirements include a downfall, a hamartia , and recognition of said tragic hero’s condition. Oedipus, the protagonist of Sophocles’Read MoreTragic Hero1598 Words   |  7 PagesTragic Hero From Wikipedia, the free encyclopedia A tragic hero is a protagonist with a tragic flaw, also known as fatal flaw, which eventually leads to his demise. The concept of the tragic hero was created in ancient Greek tragedy and defined by Aristotle. Usually, the realization of fatal flaw results in catharsis or epiphany. The tragic flaw is sometimes referred to as an Achilles heel after the single fatal flaw of the Greek warrior Achilles. [citation needed] Aristotelian tragic

The First Time I Watched The Movie “Flight” It Was Strictly

The first time I watched the movie â€Å"Flight† it was strictly for entertainment value. Denzel Washington is notorious for playing a great bad guy and based on the promotional videos, he would be hailed as a hero with a not so shiny record to negate these perceptions. When the movie opens, to see his character Whip doing a line of cocaine as soon as he woke up told me a lot about where he stood regarding substance abuse and its impact on his life. The idea of waking up and immediately doing a line would suggest for me that the substance had become a part of his daily routine and was a normal for him instead of just an outlet to escape those day to day troubles when needed. For the first portion of the film, we don’t see the depth of his†¦show more content†¦Standing alone Whip is perceived one way, but when you think about his behavior in comparison with someone in the same situation with lesser circumstances, at the heart of it is an addict ineffectively cop ing with a host of internal struggles. The focus is off his important job or her pending homelessness, to the root of the issue which is that they both are having trouble coping with the things going on in their life. Down the line, I reflect on this series of scenes and how that plays out for their approach to life following the plane accident and her overdose. It is interesting to thing about the way they behave after. She has basically nothing but she is trying to stay away from drugs, whereas he has so much to lose and doesn’t stop abusing. I pondered what besides the most obvious differences would take them in such opposite directions given the gravity of their situations. A thought to consider is how deep into the experiences known as the abyss and the dark night of the soul Whip is throughout the film. In the film, Whip depicts the abyss when he spends a considerable amount of time with Nicole before going through the process of losing her from her drug relapse. This is a moment that he must go through before he realizes what the substance abuse is doing to him and what he could lose if heShow MoreRelatedThe Boy in the Striped Pyjamas Portfolio6447 Words   |  26 PagesStriped Pyjamas†, written by John Boyne, and the corresponding film, which was released in 2008. The reason I chose this particular material is the following: I saw the film before reading the book, which, as I see it, is not the right way to do, because instead of imagining all features, the characters, the settings and so on by yourself, you already have the faces of the actors, or the specific place where the film was made in your mind while reading. This spoils my favorite thing about readingRead MoreEssay on Georg Lukacs, quot;the Ideology of Modernismquot;7555 Words   |  31 PagesThe Hungarian Marxist literary critic Georg Lukacs (pronounced GAY-org LOU-cotch) was one of the premier theorists of socialist realism, the only acceptable style of literature in the Soviet Union. In order to champion realism, and specifically an ideologically charged realism, as the only good way to write, Lukacs had to set himself in opposition to the literary movement that had superseded realism in the West, modernism (writers like James Joyce, William Faulkner, Robert Musil, and so on). ThisRead MoreEster : The Scarlet Letter11602 Words   |  47 P agesThat he hadn’t told Helena about Ester or that he’d been involved RETROGRADE 167 with her at all? He can’t remember now, and maybe he never really knew. â€Å"Your wife didn’t believe you?† â€Å"I didn’t tell her about the other woman right away,† he says, but the confession brings him no relief. If only Helena were here now, they’d be over the hurdle and in the home stretch. If only he’d already spoken Ester’s name aloud in front of her. But he’s done enough. She slipped out just when he needed her, butRead MoreProject Managment Case Studies214937 Words   |  860 Pagesabout Wiley products, visit our Web site at www.wiley.com. Library of Congress Cataloging-in-Publication Data: Kerzner, Harold. Project management : case studies I Harold Kerzner. -- 2nd ed. p. cm. Includes bibliographical references and index. ISBN-13: 978-0-471-75167-0 (pbk.) ISBN-10: 0-471-75167-7 (pbk.) 1. Project management-Case studies. I. Title. Printed in the United States of America Contents Preface xi 1 PROJECT MANAGEMENT METHODOLOGIES 1 Lakes Automotive 3 Fems HealthcareRead MoreLanguage of Advertising20371 Words   |  82 Pages Moscow - 2010 Summary The peculiarities of advertising language are the subject of this graduation paper. At the beginning, in the first chapter is given a general definition of advertising language, its history. The second chapter is types of advertising (consumer advertising, media of consumer advertising). In the third chapter we consider slogans, logos, types with tone and someRead MoreManaging Information Technology (7th Edition)239873 Words   |  960 PagesOperating Manager in Information Systems CASE STUDY I-1 IMT Custom Machine Company, Inc.: Selection of an Information Technology Platform CASE STUDY I-2 VoIP2.biz, Inc.: Deciding on the Next Steps for a VoIP Supplier CASE STUDY I-3 The VoIP Adoption at Butler University CASE STUDY I-4 Supporting Mobile Health Clinics: The Children’s Health Fund of New York City CASE STUDY I-5 Data Governance at InsuraCorp CASE STUDY I-6 H.H. Gregg’s Appliances, Inc.: Deciding on aRead MoreManagement Theory14588 Words   |  59 Pagescontrol work activities. Prior to 1900, workers worked in small groups, cooperating to hand-build cars with parts that often had to be altered and modiï ¬ ed to ï ¬ t together. This system, a type of small-batch production, was very expensive; assembling just one car took considerable time and effort; and workers could produce only a few cars in a day. To reduce costs and sell more cars, managers of early car companies needed better techniques to increase efï ¬ ciency. Henry Ford revolutionized the car industryRead MoreMarketing Mistakes and Successes175322 Words   |  702 PagesSENIOR MEDIA EDITOR George Hoffman Lise Johnson Carissa Doshi Dorothy Sinclair Matt Winslow Amy Scholz Carly DeCandia Alana Filipovich Jeof Vita Arthur Medina Allison Morris This book was set in 10/12 New Caledonia by Aptara ®, Inc. and printed and bound by Courier/Westford. The cover was printed by Courier/Westford. This book is printed on acid-free paper. Copyright  © 2009, 2006, 2004, 2001, 1998, 1995, 1992, 1989, 1986, 1981, 1976 John Wiley Sons, Inc. All rights reserved. NoRead More65 Successful Harvard Business School Application Essays 2nd Edition 147256 Words   |  190 PagesBusiness writing. 5. Harvard Business School. 1. Sullivan, Lauren. II. Harbus. III. Title: Sixty...five successful Harvard Business School application essays. HF1131.A1352009 808.06665-dc22 2009012531 First Edition: August 2009 10 9 8 7 6 5 4 3 2 1 CONTENTS Acknowledgments Introduction ix xi I. Defining Moment Stacie Hogya Anonymous Anonymous David La Fiura Anonymous Avin Bansal Anonymous Brad Finkbeiner Anonymous 4 7 10 13 17 20 23 26 29 ii. UndergradUate experience John Coleman MaxwellRead MoreInnovators Dna84615 Words   |  339 Pages(Continued from front flap) is the Horace Beesley Professor of Strategy at the Marriott School, Brigham Young University. He is widely published in strategy and business journals and was the fourth most cited management scholar from 1996–2006. is a professor of leadership at INSEAD. He consults to organizations around the world on innovation, globalization, and transformation and has published extensively in leading academic and business journals. is the Robert and Jane Cizik

Women of Frankenstein Impact Based on Influence Free Essays

string(67) " in her relationship with Victor by making her easy to manipulate\." Alexis Montgomery Professor Jonathan Luftig English 102 Women of Frankenstein: Impact Based on Influence The novel Frankenstein touches on many controversial themes such as, solitude, the division of â€Å"good† evil, rejection, debate about Nature vs. Nurture, manipulation and etc. Among the many controversial themes, the one that is constantly mentioned is the rather passive, â€Å"supporting† female roles in the novel. We will write a custom essay sample on Women of Frankenstein: Impact Based on Influence or any similar topic only for you Order Now Despite her mother’s feminist and independent legacy, Mary Shelley seemed to have written from a more societal perspective in the roles of her characters as opposed to a rebellious, un-relatable perspective. Examples of this can be found in the relationships between the characters, as well as backgrounds of each. In Mary Shelley’s novel, her female characters seem to reflect women of her time, including herself, in supporting their male counterparts even when socially invisible. As the author, Mary Shelley used her personal experiences and bias’s of her time to write her novel. Mary Shelley’s mother died giving birth to her, leaving her to be raised by her father who was a member of a group of radical thinkers. When growing up without a mother, it is imaginable that your influences are not necessarily limited, but shifted. Mary did not have her mother, so she may have looked to the women of her time as examples of what life was supposed to be like. Mary Wollstonecraft wrote in her â€Å"Vindication of the Rights of Women†, Women are told from their infancy, and taught by the example of their mothers, that a little knowledge of human weakness, justly termed cunning, softness of temper, outward obedience, and a scrupulous attention to a puerile kind of propriety, will obtain for them the protection of man; (Wollstonecraft Chpt II) Women in the early 19th century era were viewed as inferior to men. The place of women was considered to be in their home, privately. Her novel can be considered a way for her to deal with questions of her own autobiography, through fiction. In being raised by just her father, in the radical atmosphere, she was exposed to advanced ideas at an early age. She then became known in the literary circle with people such as Lord Byron, the friend and neighbor of her family. In being surrounded by writers and poets, like Lord Byron and Percy Bysshe Shelley, she was able to shape and mold her ideas. The company of such men, can be described as a â€Å"writer’s dream†, a place of such intellect and creativity, sparking ideas for such novels like Frankenstein. As Mary Shelley progressed in her personal life, she ended up in an intimate relationship with Percy Bysshe Shelley, causing her to conceive. She conceived children with him over the years, only to find she was unable to support life, losing three of her four children she had given birth to. All but one child, lived a short term after they were born. Losing these children is so significant because it helped her express her feelings on birth through writing. In Ellen Moer’s, â€Å"The Female Gothic: The Monster’s Mother†, she relates Mary’s lose of her children to the creation of the monster. She states, Frankenstein seems to be distinctly a woman’s mythmaking on the subject of birth precisely because its emphasis is not upon what precedes birth, not upon birth itself, but upon what follows birth: the trauma of the afterbirth. (Shelley 321) This supports that Mary Shelley’s feelings of guilt and sadness surrounding birth and the consequences it produces. The loss of her children can be analyzed as expression of personal fears and pains through her writing. Her experiences have made her views of childbirth, into something grotesque and wretched, this causing the creation of the creature. After being unable to reproduce and losing a quality woman of that era were expected to have, Mary not only didn’t have a mother, but also was unable to become one herself. While propping the men up, enabling them to function, the women of the novel were also portrayed as weak. The ideas of the women in her novel being portrayed as weak can be viewed as a self-reflection of herself. Being without guidance or female influence, and unable to provide to offspring, she viewed herself as weak. Her personal-reflection of herself is reflected in women of the novel such as Justine, Elizabeth, and even the idea of the female creature. Victor is supported by Justine in everything he does and the creature uses the thought of a female creature as a companion to â€Å"support† him. Men represent all women of Frankenstein, all three narrators are male and they â€Å"narrate† what the women have said because the whole story is told by men. An example of this is when the creature says, My companion will be of the same nature of myself, and will be content with the same fare. We shall make our bed of dried leaves; the sun will shine on us as on man, and will ripen our food. (Shelley 103) The female creature would serve as â€Å"support† for the male creature because her purpose only served to be his companion. For his happiness, he would risk creating a creature as grotesque, with fearful looks. His actions and statement prove the selfishness and dominance of men in the novel. Though men are perceived as the dominant role in the novel, it is ironic that the story is centered on letters between Margaret and Robert. If Margaret hadn’t been Robert’s listener and exchanged letters with him, Robert would have no one to tell Victor’s story to, meaning there would be no novel. Margaret being a woman, can be viewed as the reason the novel exists. Being the main character in the novel, Victor and his relationship with Elizabeth play a large part in the examples of how men are the dominant characters, but only sustain their roles because the women are self-sacrificing. Elizabeth’s character traits influence her behaviors in her relationship with Victor by making her easy to manipulate. You read "Women of Frankenstein: Impact Based on Influence" in category "Papers" When Victor’s mother Caroline died, Elizabeth assumed her role in household duties and plays the mother figure. Though she assumes such a role, she has little substance, still passive, with not much contribution to social matters or decisions. In a sense, because she was not heard, she was not seen in a public aspect. Victor was bold, controlling, and selfish, not only in his disregard for female needs and roles in the novel, but also in other instances. His selfishness was portrayed in his desire to create life, in leaving his family and not contacting them, and once he created life, he disowned his creature, shirking all responsibility. Victor was so self-absorbed that he overestimates his importance. This was the reason behind why he was unable to figure out the creature was coming for Elizabeth and recognizes that she now symbolizes vengeance. Her role was so consistent and insignificant to him that he was unable to fathom the importance of her death as well as its affect on himself. This is shown after the death of his wife, an example is when he states, Nothing is so painful to the human mind as a great and sudden change. The sun might shine, or the clouds might lour; but nothing could appear to me as it had done the day before. A fiend had snatched from me every hope of future happiness. (Shelley 142) In Anne Mellor’s, â€Å"The Female In Frankenstein†, she explores the idea of the destruction of female roles due to the difficulty switching from the public sphere, which was more masculine, to the private sphere, which was more feminine. In the preface Percy writes, his concern the novel was the, â€Å"the exhibition of the amiableness of domestic affection, and the excellence of universal virtue. † (Shelley 7) He exhibits this in Elizabeth. Though Elizabeth exists in the private sphere, to the family she is a symbol of domestic harmony and can be considered a character based on sacrifice and true virtue. In all the things she does for Victor as well as his family, she is Victor’s hope for future joy. After all the bad things he has done and all the mistakes he has made, Elizabeth represents domestic peace. Her representation of domestic peace can subconsciously be the reason Victor’s family wants him to marry her so badly. The death of Justine as well as Elizabeth was centered on the selfishness of men they loved. Justine was put to death, after trial because Victor refused to admit the creature he created was the cause of his brother William’s death. Elizabeth’s death was caused because Victor’s selfish ways made him refuse to create the creature a female companion to have in his life. Both of these women can be looked at as self-sacrificing. Victor Frankenstein dealt with his extreme guilt of withholding information and secrets from his family regarding his creation, putting people’s lives, such as Justine’s in jeopardy. His secrecy can easily be the reason for the death of Justine, William, and Elizabeth. This extreme guilt is key in discussing how he one of the dominant characters in the novel, because despite how much guilt he feels he never disclosed to anyone his secret creature until he met Robert. In the novel, Victor Frankenstein as a Creator of the creature can be compared to a Mother, giving birth to a child, something that the author, Mary Shelley was unable to do. Again, she uses her personal experiences to express herself in her writing. Victor stripped women of their main purpose during that era, to reproduce. He established that the role played by women isn’t limited to female characters, but can be shown in men as well because Victor can be considered a bad mother. Also in Anne Mellor’s, â€Å"The Female In Frankenstein†, she states, In place of normal heterosexual attachment to Elizabeth, Victor Frankenstein has a substituted a homosexual obsession with his creature, an obsession that in his case is energized by a profound desire to reunite with his dead mother, by becoming himself a mother. Shelley 363) The loss of his mother’s influences cause him to want to create life on his own, so that he can influence or rather control it, leading to the creation of the Creature. Shelley’s personal struggle is evident because though he was able to create life, he wasn’t proud of it, and wasn’t anythi ng like he thought it would be. He then abandoned the creature, sort of like his mother had done when she died, and like Mary Shelley’s mother had done when she died as well. Another example of the role’s women play to the male characters was shown the Creature’s need for a female companion. The Creature’s solitude never allowed him to know what love was, until he began watching the De Lacy’s and seeing the love they shared as a family and how happy Safie made Felix when returning to his life. Felix seemed ravished with delight when he saw her, every trait of sorrow vanished his face, and it instantly expressed a degree of ecstatic joy, of which I could hardly have believed it capable; his eyes sparkled, as his cheek flushed with pleasure; and at that moment I thought him more beautiful than the stranger. (Shelley 81) This moment of joy is something he wanted to feel for himself, or better yet something he wanted someone else to feel for him. He longed for someone to accept him and risk everything, just as Felix had done for Safie. When learning their backgrounds and seeing how Felix risked his family, reputation, and wealth, all to save Safie’s father, the Turk and to marry her, the Creature yearned for that kind of love. He also admired, the extents companions seemed to go for each other. The Creature seems to want a counterpart, not only because she is a female nd he wants to be loved, but because he wants to share his burden of ugliness and non-acceptance from humans who have shunned him. After viewing their relationship he reflects on his loneliness and goes on to blame Victor for his pain. Cursed Creator! Why did you form a monster so hideous that even you turned from me in disgust? God in pity made man beautiful and alluring, after his own image; but my form is a filthy type of yours , more horrid from its very resemblance. (Shelley 91) In his inhuman heart, he doesn’t long for material things or wealth, he longs to experience life as he’s viewed it as a bystander. Watching the De Lacey’s function in society and as a family, is the example he leads by, therefore he doesn’t understand why he is unable to have that as well. This fact is what makes the creature most human, maybe even more human than Victor because of his need for communication and love, while Victor never needed any of that. Never once in the novel did Victor long for real companionship, his joys came in being isolated from others, which caused him to predetermine the creature’s life of isolation as well. In never needing a companion to share life with, Victor saw no problem in destroying the female creature he had created for the male creature. Because Victor excluded women in every way, and he clearly doesn’t understand the significance of his own female counter part in the novel, he definitely doesn’t understand the creatures. Not knowing the significance of a feminine role in his life, nor the creatures is what made the destruction of the female creature an easy decision for him. One of the biggest reasons he struggled to understand the significance was because he was clouded by his fear. In Anne Mellor’s, â€Å"The Female In Frankenstein†, she argues that â€Å" he is afraid of an independent female will, afraid that his female creature will have desires and opinions that cannot be controlled by his male creature. † (Shelley 360) Victor’s true fear was that by creating a female creature, he’d be defying everything that he believed in. The belief that women are to be more of the private sphere than the public might change and it would cause imbalance of society in his eyes. What if, a women or female could walk the earth as men and think their own thoughts and live life as she pleased. The belief that women are to be controlled, rather than loved and treated equally is what causes each female not to exist anymore. The novel uses its female characters to display that of women in Mary Shelley’s time, displaying failed attempts at changing societal roles. The men of Frankenstein control life, death, and the all possibility of any women functioning as an equal. Mellor, Anne K. Possessing Nature: The Female in Frankenstein. † Norton Critical Edition (1996): 274-86. Print. Moers, Ellen. â€Å"Female Gothic: The Monster’s Mother. † New York Review of Books (1974). Rpt. in Frankenstein: A Norton Critical Edition. Ed. J. Paul Hunter. New York: Norton, 1996. 214-24. Shelley, Mary. Frankenstein: A Norton Critical Edition. ed. J. Paul Hunter. New York: W. W. Norton, 1996 Wollstonecraft, Mary. A Vindication of the Rights of Woman. A Wollst onecraft Anthology. Ed. Janet M. Todd. Bloomington: Indiana University Press, 1977 How to cite Women of Frankenstein: Impact Based on Influence, Papers

Prosocial Interaction Differences Essays - Social Psychology

Prosocial Interaction Differences Prosocial Interaction Differences Between Single Gender Groups and Coed Groups I first became interested in personal interactions in high school. As the group psychologist for my circle of friends, I was exposed to many different type of people and how those people dealt with situations. Also, I was fascinated by why some people(like myself) feel compelled to do nice things for other people like picking up a dropped pencil to bringing an ill person hot soup. I noticed that the same guys were always asking me the same questions. Usually the questions revolved around girls, such as how to get them, what to do once you got them, and how to keep them. It mesmerized me that these guys were completely uninformed about women while many of my other friends were having no trouble in the same area. Over time I saw that the guys that were asking all the questions had not had much interaction with the opposite sex except during school. I wondered if there was some correlation, and so I am proposing this study. My first article involving prosocial behavior was done in Norway by Moncrieff Cochran and Inge Bo. Their focus was to evaluate the influences of parents, peers, and other network members on the pro- and antisocial behavior of antisocial behavior of antisocial boys. The Stavanger study was set in the city of Stavanger for several reasons. A recent population spurt has triggered an increase in the amount of negative youth behaviors, and so it seemed to be a prime opportunity. The two junior high schools used in the study were selected because they contained a exemplary mix of lower middle-, middle-, and upper middle-class families. Cochran and Bo found that . . .time spent by parents with their boys as central to maintaining low levels of antisocial behavior. They also saw that the neighborhood environment that the boys resided in was at least as powerful a predictor of antisocial behavior. My Hypothesis is that if adolescents participate in coed extracurricular activities, then they will be more likely to show prosocial behavior to both genders. I then propose the following correlational study to test my hypothesis. The population of interest is male and female adolescents, age 12 to 17. The selection process of the subjects would be to pick several single gender groups in a specific area, such as Private schools and Boy Scouts Troops. Next would be to select some coed groups in the same area such as bible study groups and school clubs like biology club and drama club. The independent variable in my study is whether or not the subject participates in coed or single gender extracurricular activities. This variable would be operationalized by In this study the dependent variable is amount of prosocial behavior exhibited by the subject. It would be operationalized by With the permission of the adult leaders of the groups, the adolescents involved, and their parents we would proceed by observing the groups at their respective meetings. After observing how There is some evidence for closer relationships between same-sex as opposed to opposite sex siblings Psychology